I've shuffled through a dozen & a half books on my "to read" bookshelf in the past month, reading a couple of chapters in each before deciding, nah, not in the mood for that.
Decided to fall back on an old sci-fi I read decades ago -- been thinking about it for some reason -- remember loving the shit out of it at the time. I needed a piece of good writing to re-invigorate my love of books.
"China Mountain Zhang" (1992) is a novel about near-future New York, after the USA has collapsed through mismanagement and China has emerged as the world's sole superpower. All the good jobs, the management jobs, are held by Chinese citizens. If an ambitious student wants to get ahead, he must study in China. The ultimate is to get a job in China. Barring that, being trained in China is imperative for getting ahead
China Mountain Zhang is an ABC, American-born Chinese. He speaks some Mandarin because his father was Chinese, so he leverages this to advance his career as an engineer. The book is partially about his drive to become an engineer. But it's also much much more.
There are three or four other stories, other characters, who intersect with each other in minor ways. You see each of these characters through the eyes of the others, and their perceptions tell you a lot about post-Chinese culture and society.
Like most great fiction, the plot is just an excuse to describe a whole reality which lurks behind it. McHugh does an excellent job of describing how the US collapsed and why (it has something to do with a despotic president who suspended civil liberties, triggering a revolution, which failed and took down many institutions with it. This was written in 1992 remember.) It is masterful.
Made me go looking for other McHugh books yesterday. Found a short story collection called "After The Apocalypse," describing five real life scenarios of how people are coping after five different types of apocalypse. Like CMZ, the apocalypses aren't really described, you just begin to work out what happened in each one as you read the stories of life afterward. Again, the stories tell VOLUMES about the worlds described without really addressing them head-on. Very clever writing.
Reminds me, in fact, of Connie Willis who writes similar stories about circumstances she really doesn't describe but during the course of her stories you come to understand that something very substantial has shifted in society. Stories that make you stop, after you finish, and go, "Whoa."
I love that.